There’s the long sea journey, the tedious and humiliating experience of immigration control, the challenge of decoding a foreign language, the struggle of finding somewhere to live, and the practicalities of learning your way around a new city. The detailed storyline, covering years rather than days and including long digressions into other characters’ stories, shows the protagonist going through many of the typical migrant stages. This defamiliarisation, or disruption to one’s initial perceptions, requires the reader to undergo a mutual learning process with the fictional migrant.
In fact the man is arriving in an invented fantasy city, beautifully realised through Tan’s strange and exquisitely drawn pencil-on-paper images. But as the story progresses an increasing number of surreal elements are introduced into the pictures, and the reader soon realises this is no recognisable human world.
At first glance, with their sepia tones, the opening drawings of a man packing a battered suitcase with the help of his wife and child are reminiscent of faded photographs, and call to mind images of early 20 th century immigration into the US. The prelim pages appear foxed and watermarked, and the cataloguing information is shown in several small boxes that also appear to be yellowing stickers. Inside, the fiction of this being an old book is continued. These telling details are indicative of the enormous care that has been taken over every physical aspect of the book, from its poignant endpapers of 60 passport-style portraits to its silky ribbon marker. There is a similar spot-varnished picture on the back cover, and even the small bar-code panel resembles an old peeling sticker. It appears scratched and distressed, like an old leather-bound tome, and the debossed central image gleams with spot varnish. The cover of the large-format hardback is striking. Not only is this book a longer, more sustained read that requires considerable commitment from the reader, but it also depicts a more serious subject: that of the practical and emotional experience of being a migrant.
The Arrival is really more of a graphic novel than a wordless picturebook, but it earns its place in #NoWords as it is published by Hodder as a children’s title. The Arrival – Wordless Books Wordless Books The Arrival (2006)
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